James Felix McKenney
In a genre full of workman hacks. He is a tremendous and unique filmmaker who has had a three picture partnership with horror icon Angus Scrimm: The Off Season (04), Automatons (06) and Satan Hates You (10).
These films have proved to be in my mind, the best work of these two men. Season is a claustrophobic thriller. Automatons is a surreal robot film and Satan Hates You is a commentary on religious education films made for horror fans. I have been lucky enough to see all of McKenney's films, including a monster flick Hypothermia starring Michael Rooker. I have also been lucky enough to speak with Mr. McKenney on a few occasions. He is a nice man who has been very encouraging about horror scripts that I have written. He agreed to let me ask him some questions for this film blog, and I am very grateful.
Well, I'd always like to have more money to work with and be able to pay people better, but the problem is that the big budget comes with too many strings attached. I had a taste of that with Hypothermia, and that was still a very low-budget movie. Working with small budget gives me and the team the freedom to be creative and do really interesting stuff. It also makes the process a lot more fun because you aren't dealing with dim-witted producers with over-inflated egos. Still, I wouldn't turn down a big budget. The paycheck would certainly come in handy and it would be interesting to see what that process is like. It's just not really a goal of mine.
I have this script called "World's Fair" which is sort of a dark fantasy with big dramatic parts for Angus Scrimm and Larry Fessenden. I wrote it in 2008 and it's the one script that all of my collaborators keep going back to and asking "When are we going to make that movie?" Somebody recently approached me wanting to make it on a shoestring budget and I just couldn't do it. I felt that the seriousness of the material and the people involved deserved a budget of at least what we had for Hypothermia in order for it to make it al that it could be. So I passed. The person who approached me ended up agreeing with me that it wasn't worth doing if we weren't going to do it right.
It wasn't a podcast, which is usually something that you can download at any time. "The MonsterPants Are On!" was a radio show that I had on Saturday afternoons on Cult Radio A-Go-Go which is a really fun internet radio station.
It's funny that you ask. I am currently working on a new podcast called "Before Nerds Were Cool" with my friend Laree Love, who is one of only two people who have worked on every MonsterPants feature. The concept is basically a nostalgic look back at fandom in the pre-internet age. I always love hearing people's stories about how they would obsess over photos in monster magazines for films they had to wait until they came on TV because there were no VCRs or quests for a particular comic book, VHS tape or other collectible. The show will mainly be Laree and I, but we will be having guests from time to time, including some of the folks who were on the radio show. It should be launching sometime in April. Information will be available on my website monsterpants.net in the coming weeks.
I did not. His character (along with many other things) in The Off Season was based on a neighbor I had when I was living in Los Angeles in 1996. When I was writing the script in 1997 and thinking about casting, I thought of Angus because I love Phantasm and always enjoy casting people against type. When we were finally in preproduction on the film in NYC in 2003, I happened to see an ad for a convention taking place on the East Coast the weekend before our shoot and Angus was the main guest. We figured we'd see if we could get him while he was out here, Tony Timpone put me in touch with his agent and we got him! We've been friends ever since. He's truly one of the sweetest people I've ever met.
Well, I'm not really an expert on Bigfoot films. That would be my friend Max Brooks. Max is obsessed with the genre and they guy who has been leaning on me to make one, which led to me writing the Bigfoot script that I've been shopping around. Like Max, I have a fondness for the 1970's films like The Legend of Bigfoot and Mysterious Monsters that took the approach of reenacting "real" Bigfoot sightings without showing the monster too much.
As a kid, it was definitely monsters. I was obsessed with the Frankenstein monster and that led to the other classic monsters. I have also always been a big fan of science fiction, ancient mythology and practical special effects. That's what did it for me. I later got into the more atmospheric stuff, which I love. Gore was never something I was really into. I never liked any of the 1980's slasher stuff. But I enjoy making gore effects in our films, because it's fun. But to me gore isn't serious. It's the punchline to a joke.
Absolutely. I write everything I direct and the first thing I usually tell the actors is that the lines are not so precious and they should feel free to alter them in a way that makes them comfortable to them. I always encourage the actors to add their own thing. I probably give actors a lot less direction than most directors. I like to be surprised my what they come up with and then make adjustments if necessary. It's fun to see what other people discover in the script and how they interpret it. That's what makes the whole collaborative creative process interesting.
As for Hypothermia, that was completely something that actress Amy Chang was doing. I don't know if it was her character being nervous about the announcement that they were going to make to her boyfriend's parents or simply the fact that Amy was absolutely freezing out there and too cold to eat!
I have no idea what attracted Rooker to the part, aside from the paycheck! In real life he's a lot more like the Steve character than the character he was playing. He kept asking me, "Why don't they just hunt down that thing and shoot it?" Rooker's a hunter, a gun lover and a man of action, so he was definitely playing against type in that film. He's a great actor who really wants to just get through the conversational bits so he can get to the heavy emotional stuff and the action scenes, which he's really incredible in.
I would love to make another movie like that. I dipped my toe into those waters this past fall when I attempted to make a web serial beginning with Chapter Four. After that first episode, it was going to go further into DIY effects and low budget sci-fi territory, very much like Automatons, but so few people downloaded the first one that we had to pull the plug on future chapters.
Some of my collaborators have been asking me for years to make another movie like Automatons. I have an idea for a sequel and a full story written out for a prequel. I'd love to do another low-rent effects movie like that again, but materials cost more than you'd think and you've got to feed people. It always comes down to finding the money to make the damn thing!